30 11 2009


30 11 2009

Exile, is a legend waiting to be acknowledged as one. With continuos creativity pushing him to the edge every time , he consistantly shows us that he is a true musician looking for the bliss of that next track!

His first record appearances came as a member of hip hop duo Emanon alongside rapper Aloe Blacc. They released various singles beginning with 1998’s “P.S.I.” before releasing their debut album, Anon & On. After 2002, Exile went on to release one more Emanon album well as a solo album, 2006’s Dirty Science, and another collaborative effort, 2007’s Below the Heavens. The latter album was critically acclaimed for Exile’s productions and raps by new artist Blu. Exile’s guest production work with artists including Mobb Deep, Ghostface Killah, Kardinal Offishall and Jurassic 5 is also renowned. He claims his influences to be contemporary producers J Dilla, Jon Brion and Madlib. He is known for “coarsely chopped beats” that give off “laid back soulful vibes.”



  • Dirty Science (2006)
  • Radio (2009)


  • “Stretch Marx” (1995) cassette
  • “Imaginary Friends” (1996) cassette
  • “PSI, Outside looking in” (1997)
  • “Dawns Second Coming” (1998) cassette
  • “Acid 9” (1998)
  • “Mc’s Like Me” (1999)
  • Anon & On (2002)
  • The Waiting Room (2004)

With Blu

With Fashawn

With Blame One

  • Days Chasing Days (March 2009)



30 11 2009

Jericho Kensington

30 11 2009

Giving my blog steady crew a little rock steady jump off….

Big City Woman

Black Spade

30 11 2009

Armed with little more than his father’s extensive record collection of jazz, soul, psychedelic rock, folk, comedy and a Kurzweil 2000 keyboard – Black Spade’s music is a melting pot of sounds hailing from St. Louis by way of New York, Detroit, LA, and everywhere that hip-hop has carved a distinctive and influential sound for itself.
Writing and producing all his music along with MC’ng, Spade’s one man team approach is full of burbling synths, and off-kilter drums while his voice slides smoothly over choruses coated in multi-tracked vocals and skipping roughshod drums. Attributing his distinctive sound to his home of St. Louis, Black Spade explains “We get a piece of everything by being in the middle.” However, he feels no harmonious connection to where Saint Louis pop acts like Nelly, Chingy, etc. have taken hip-hop lately. Spade’s style is not like the norm. This undercurrent shows through all his music and can be heard in songs like “Evil Love”(my personal favorite), where the keyboard hits less than a second after you expect it to. It’s subtle, but these little things are what make Black Spade’s music so compelling.
At his core, Black Spade is a producer who makes music because he loves to. His sounds are grounded in the past while still sounding futuristic, and most importantly come from the heart. Spade says, “To get my music out there to people… at the end of the day that’s what really counts.”

Doze Green – “fusionistic”

30 11 2009

Doze Green was born and raised in the upper west side of Manhattan, New York City and was one of the pioneers of the Hip-Hop culture. He first started writing graffiti in his neighborhood in 1974, and started painting subway trains in 1976.
The following year he joined the Rock Steady Crew. The Rock Steady Crew were pioneers of a new style of dance known as breakdancing or B-Boying. The crew first started dancing at art exhibitions and galleries of Soho and the Lower East Side of Manhattan.
During this time Doze was also attending the High School of Art and Design, where some of the most talented and well respected graffiti artists came from. Artists such as Lady Pink, Daze, Ernie Valdez, Seen TC5, Mr. Wiggles, Mare 139, and numerous others. In 1982 Doze showed his artwork in a well known group show at the Fun Gallery. At this same time after appearances in major movies such as Flashdance, Style Wars, and Wildstyle, the Rock Steady Crew was launched into action and the limelight.
From B-boy to graf legend Doze has gone to tagging the hallways of South Bronx projects to designing for clothing lines like Kikwear and Ecko. In the process, he’s become a proponent of the avant-garde “fusionistic” art movement.
Best known for his characters, Doze has begun to concentrate on canvases that blend wildstyle techniques with metaphysical concepts. “I think I’m at the point where I’m movin’ even further, to more distant frontiers like sculpture and 3-D painting”.
“Probably the biggest challenge and the most fun is painting live,” reveals Doze. “There’s a communion between the audience, the DJ and myself. The DJ is feeding off the music, and if the crowd is hype, he goes that extra mile. The same applies to me.”

If you dig Doze Green’s work check out some of the covers he has done for the Future Primative series including the cover work for the Presage cd. He has also done some work for the Deep Concentration series.

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Introducing IMPAKT Sidehacks – An Interview With Greyboy & Truly Odd About The Unorthodox New Company

25 11 2009

Click the pic to read the article and interview!